planar vessel XXX (marcella), 2024. shifu weaving (cotton warp, paper thread weft), carbon pencil rubbing and debossed text on igarashi kozo paper in walnut frame. 21” x 42”

planar vessel XXX (marcella), 2024. shifu weaving (cotton warp, paper thread weft), carbon pencil rubbing and debossed text on igarashi kozo paper in walnut frame. 21” x 42”

  volume III (marjani + marcella),  2024. Carbon pencil rubbing and debossed text on igarashi kozo paper with ebony and brass vessels in walnut frame. 46 x 61 x 4"

volume III (marjani + marcella), 2024. Carbon pencil rubbing and debossed text on igarashi kozo paper with ebony and brass vessels in walnut frame. 46 x 61 x 4"

  clouds IV,  2024. Indigo rubbing and debossed text on igarashi kozo paper in maple frame. 21 x 21in.

clouds IV, 2024. Indigo rubbing and debossed text on igarashi kozo paper in maple frame. 21 x 21in.

  volume II (marjani),  2024. Carbon pencil rubbing and debossed text on igarashi kozo paper with a walnut vessel in a walnut frame. 31 x 38 in.

volume II (marjani), 2024. Carbon pencil rubbing and debossed text on igarashi kozo paper with a walnut vessel in a walnut frame. 31 x 38 in.

  clouds VIII,  2024. Indigo rubbing and debossed text on igarashi kozo paper in maple frame. 21 x 21in.

clouds VIII, 2024. Indigo rubbing and debossed text on igarashi kozo paper in maple frame. 21 x 21in.

 planar vessel XXVII (jada), 2024. Carbon pencil rubbing and debossed text on igarashi kozo paper in a walnut frame. 61 x 61"

planar vessel XXVII (jada), 2024. Carbon pencil rubbing and debossed text on igarashi kozo paper in a walnut frame. 61 x 61"

 volume I (k), 2024. carbon pencil rubbing and debossed text on igarashi kozo paper. 2 panels with ash vessel in walnut frame, 61 x 38"

volume I (k), 2024. carbon pencil rubbing and debossed text on igarashi kozo paper. 2 panels with ash vessel in walnut frame, 61 x 38"

 planar vessel XXIX (marcella), 2024. carbon rubbing and debossed text on igarashi kozo. 5 panels, each 39 x 29".

planar vessel XXIX (marcella), 2024. carbon rubbing and debossed text on igarashi kozo. 5 panels, each 39 x 29".

 clouds IV, 2024. indigo and debossed text on igarashi kozo. 20 x 20"

clouds IV, 2024. indigo and debossed text on igarashi kozo. 20 x 20"

 shadows + contingency I (2023). hand-debossed text and carbon pencil rubbing on cotton paper. 20 x 20"

shadows + contingency I (2023). hand-debossed text and carbon pencil rubbing on cotton paper. 20 x 20"

planar vessel xx, xxi, xxii (rhea)
planar vessel xx, xxi, xxii (rhea)
planar vessel XIX (tablet)
planar vessel XIX (tablet)
planar vessel XV (tablet)
planar vessel XV (tablet)
planar vessel XIII
planar vessel XIII
AVA
AVA

2022

Oil paint applied with rubber stamp letters, fugitive ink photogram, debossed grid on kozo paper in artist frame.

Refusing What Has Been Refused
Refusing What Has Been Refused

2022

Oil paint applied with rubber stamp letters, fugitive ink photogram, debossed grid on kozo paper and shifu weaving in artist frame

A State of Balance Between Continuing Processes
A State of Balance Between Continuing Processes

2022

Oil paint applied with rubber stamp letters, Fugitive ink photogram and debossed grid on Igarashi kozo paper in artist frame

planar vessel XI
planar vessel XI

2022

Fugitive ink photogram, debossed text, carbon pencil rubbing on Igarashi kozo paper, shifu weaving in artist frame

planar vessel XII
planar vessel XII

Fugitive ink photogram, debossed text, carbon pencil rubbing on Igarashi kozo paper, shifu weaving in artist frame

 planar vessel II, 2021. fugitive ink photogram, hand debossed text, carbon pencil rubbing on igarashi kozo paper in walnut frame. 60 × 197”.

planar vessel II, 2021. fugitive ink photogram, hand debossed text, carbon pencil rubbing on igarashi kozo paper in walnut frame. 60 × 197”.

 planar vessel I, 2021. fugitive ink photogram, hand-debossed text, carbon pencil rubbing on Igrarashi kozo paper in walnut frame. 5 panels, each 59 ×39” overall 60 × 197.”

planar vessel I, 2021. fugitive ink photogram, hand-debossed text, carbon pencil rubbing on Igrarashi kozo paper in walnut frame. 5 panels, each 59 ×39” overall 60 × 197.”

 Contending with Contingency IX, 2021. Carbon pencil rubbing on debossed cotton paper, mounted. 9 panels each 34 × 26”, overall 131 × 80”.

Contending with Contingency IX, 2021. Carbon pencil rubbing on debossed cotton paper, mounted. 9 panels each 34 × 26”, overall 131 × 80”.

The Bodily Effect of Color (Sam), 2021
The Bodily Effect of Color (Sam), 2021

Oil paint applied to rubber stamp letters, with color pencil ground and debossed grid on igarashi kozo paper

39 x 29 in

99.1 x 73.7 cm

(MBLA KD164)

 planar vessel VI, 2021. Shifu weaving (cotton warp, paper thread weft), fugitive ink photogram, hand-debossed text, carbon pencil rubbing on Igarashi kozo in walnut frame. 40 × 39”.

planar vessel VI, 2021. Shifu weaving (cotton warp, paper thread weft), fugitive ink photogram, hand-debossed text, carbon pencil rubbing on Igarashi kozo in walnut frame. 40 × 39”.

image.jpg
Excerpt of Contingency - The Vote, 2021
Excerpt of Contingency - The Vote, 2021

Carbon pencil rubbing on debossed paper, frames

20 x 20 in

50.8 x 50.8

(MBLA KD161)

Excerpt of Contingency-13th, 2021
Excerpt of Contingency-13th, 2021

Carbon pencil rubbing on debossed paper, mounted

12 x 12 in

30.5 x 30.5 cm

(MBLA KD154)

Tenor Drift I, II, III, 2020
Tenor Drift I, II, III, 2020

Hand-printed text with pencil rubbing on kozo paper

216 x 80 inches

548.64 x 203.2 cm

150 panels

(MBLA KF074)

Fall and Recover (Dunham), a-e, 2021
Fall and Recover (Dunham), a-e, 2021

Carbon pencil rubbing on debossed paper

80 x 60 in

203.2 x 152.4 cm

(MBLA KD153)

Fall and Recover (Dunham), f-j, 2021
Fall and Recover (Dunham), f-j, 2021

Carbon pencil rubbing on debossed paper, mounted

80 x 60 in

203.2 x 152.5 cm

(MBLA KD144)

The Bodily Effect of a Color (k), 2020
The Bodily Effect of a Color (k), 2020

Oil paint applied with rubber stamp letters and watercolor pencil on Igarashi kozo paper

43 3/4 x 28 in

111.1 x 71.1 cm

(MBLA KD084)

Contending with Contingency II, 2021
Contending with Contingency II, 2021

Carbon pencil rubbing on debossed paper, mounted

88 x 135 in

223.5 x 342.9 cm

(MBLA KD143)

Contending with Contingency VIII, 2021
Contending with Contingency VIII, 2021

Carbon Pencil rubbing on debossed paper, mounted

Each panel: 44 x 27 in / 111.8 x 66.6 cm

Overall: 88 x 135 in / 205.7 cm x 335.3 cm

(MBLA KD142)

Contending with Contingency VI, 2021
Contending with Contingency VI, 2021

Carbon pencil rubbing on debossed paper, mounted

88 x 135 in

223.5 x 343 cm

(MBLA KD140)

Contending with Contingency V, 2021
Contending with Contingency V, 2021

Carbon pencil rubbing on debossed paper, mounted

88 x 135 in

223.5 x 343 cm

(MBLA KD139)

Contending with Contingency VII, 2021
Contending with Contingency VII, 2021

Carbon pencil rubbing on debossed paper, mounted

88 x 135 in

223.5 x 343 cm

(MBLA KD141)

Contending with Contingency IV, 2021
Contending with Contingency IV, 2021

Carbon pencil rubbing on debossed paper, mounted

88 x 135 in

223.5 x 342.9 cm

(MBLA KD138)

Contending with Contingency III, 2021
Contending with Contingency III, 2021

Carbon pencil rubbing on debossed paper, mounted

88 x 135 in

223.5 x 343 cm

(MBLA KD137)

To Make a Reality, 2020
To Make a Reality, 2020

Oil paint applied with rubber stamp letters on color ground with chine-colle on paper

32 x 24 1/2 inches framed

81.3 x 62.2 cm framed

(MBLA KD082)

Contending with Contingency I, 2021
Contending with Contingency I, 2021

Carbon pencil rubbing on debossed paper, mounted

81 x 132 in

205.7 x 335.3 cm

(MBLA KD136)

A Questioned Only Answered With Another Question, 2019
A Questioned Only Answered With Another Question, 2019

Oil paint applied with rubber stamp letters on embossed and deobossed Igarashi kozo paper

Diptych, 39 x 29 inches each

39 x 58 inches overall

99.06 x 147.32 cm overall

(MBLA KD073)

Limen II
Limen II

Hand-imprinted text, pencil rubbing on kozo paper; handmade shifu (paper weaving) drawing, in artist frame

38 x 38 inches 


[DETAIL] Limen II (2020)
[DETAIL] Limen II (2020)

Tenor Drift Pt. I, II, III (2020)
Tenor Drift Pt. I, II, III (2020)

Drawing/unique artist book: Hand-inscribed text with pencil rubbing on sheets of kozo paper 


112 panels: 11 x 10 inches each

140 x 80 inches overall


[DETAIL] Tenor Drift. I, II, III (2020)
[DETAIL] Tenor Drift. I, II, III (2020)

Study for Entanglements (2016-2019)
Study for Entanglements (2016-2019)

Hand-written text of ink and grease pencil, with aerosol painted shadow on DMH11 kozo paper; accompanied with a video edition

10 x 10 in. each panel

100 x 200 in. Overall

[VIDEO STILL] Load (2017)
[VIDEO STILL] Load (2017)

Video

Edition of 3

Duration: 1 min

Everything That Cannot Be Known (2019)
Everything That Cannot Be Known (2019)

Oil paint applied with rubber stamp letters, metal grommets, and glass beads on debossed Igarashi kozo paper

40 x 60 in.

A Word to Remind You of the Future, 2019

A Word to Remind You of the Future, 2019


Oil paint applied with rubber stamp letters on embossed and debossed igarashi kozo paper


Diptych: approx. 30 x 40 inches each panel


60 x 40 inches overall


A Symphony of Truths (2019)
A Symphony of Truths (2019)

Oil paint applied with rubber stamp letters on embossed and debossed Igarashi kozo paper

30 x 40 in. Each panel

60 x 80 in. Overall

The Bodily Effect of a Color (Amber) 2020
The Bodily Effect of a Color (Amber) 2020

Oil paint applied with rubber stamp letters and watercolor pencil on debossed Igarashi kozo paper


45 x 28 3/4 in. framed


Knowledge in the Form of a Pause, 2019

Knowledge in the Form of a Pause, 2019


Oil paint applied with rubber stamp letters and graphite grid on embossed Igarashi kozo paper


60 x 40 inches


An Answer that Holds the Wind, 2019

An Answer that Holds the Wind, 2019


Oil paint applied with rubber stamp letters on embossed and debossed igarashi kozo paper


Diptych: 37 x 24 inches each panel


37 x 48 inches overall


A Question Only Answered With Another Question, 2019

A Question Only Answered With Another Question, 2019


Oil paint applied with rubber stamp letters on embossed and debossed Igarashi kozo paper


Diptych, 39 x 29 inches each


39 x 58 inches overall


[DETAIL] A Question Only Answered With Another Question, 2019

[DETAIL] A Question Only Answered With Another Question, 2019


All Space Between Ground and Sky, 2019

All Space Between Ground and Sky, 2019


Oil paint applied with rubber stamp letters on embossed and debossed Igarashi kozo paper


 Triptych: 29.75 x 38.25 inches each panel


90 x 40 inches overall


[DETAIL] All Space Between Ground and Sky, 2019

[DETAIL] All Space Between Ground and Sky, 2019

A Sharp Whisper (2019)
A Sharp Whisper (2019)

Oil paint applied with rubber stamp letters with color monoprint and chine-colle on paper

29 x 21 in.

In Praise of Shadows (2019)
In Praise of Shadows (2019)

Oil paint applied with rubber stamp letters on color ground with chine-colle on 300g Fabriano paper

29 x 20 inches

The Bodily Effect of a Color (Kay) (2019)
The Bodily Effect of a Color (Kay) (2019)

Oil paint applied with rubber stamp letters with color monoprint on embossed and debossed Igarashi kozo paper

40 x 30 in.

The Bodily Effect of a Color (Benie).(2019)
The Bodily Effect of a Color (Benie).(2019)

Oil paint applied with rubber stamp letters and color monoprint on embossed and debossed Igarashi kozo paper

40 x 30 in.

The Bodily Effect of a Color (Babz) (2019)
The Bodily Effect of a Color (Babz) (2019)

Oil paint applied with rubber stamp letters and color monoprint on embossed and debossed Igarashi kozo paper

40 x 30 inches

The Presence of a Long Past, 2019

The Presence of a Long Past, 2019


Oil stick applied with stamp letters, embossment and graphite grid on kozo paper


Diptych, 29.69 x 38.5 inches each panel 


59.38 x 38.5 inches overall


Accumulation of a Long Past, 2019

Accumulation of a Long Past, 2019


Oil paint applied with rubber stamp letters and graphite grid on embossed paper


58 x 38 inches


Time and Place Have Had Their Say, 2019

Time and Place Have Had Their Say, 2019


Oil paint applied with rubber stamp letters and debossed grid on Igarashi kozo paper


30 x 40 inches


Black As the Most Exquisite Color, 2019

Black As the Most Exquisite Color, 2019


Oil applied with rubber stamp letters on embossed and debossed Igarashi kozo paper


Diptych, 39 x 29 inches each


39 x 58 inches overall


Breaking the Air, 2019

Breaking the Air, 2019


Oil paint applied with rubber stamp letters and graphite grid on embossed DMH-11 kozo paper
 26 x 38 inches, each panel


52 x 38 inches, overall


A Flexible Form, 2019

A Flexible Form, 2019


Oil paint applied with rubber stamp letters and graphite grid on embossed DMH-11 kozo paper

Diptych, 26 x 39 inches each panel 


52 x 39 inches overall


A Surreal Presence for Every Possible State (2018)
A Surreal Presence for Every Possible State (2018)

oil paint applied with stamp letters and graphite grid on embossed Mohachi paper

45 x 29 in. each panel

90 x 58 in. overall

Shadow as the Architecture of the Visual Field (2018)
Shadow as the Architecture of the Visual Field (2018)

oil paint applied with stamp letters and graphite grid on embossed Mohachi paper

29 x 45 in. each panel

60 x 90 in. overall

All Water Has Perfect Memory, 2018

All Water Has Perfect Memory, 2018


Handwritten text of graphite on paper, with charcoal and oil-based ink
 28 x 20 inches


Precise Approximation, 2019

Precise Approximation, 2019


Oil paint applied with rubber stamp letters and graphite grid on embossed paper


38 x 28 inches


A Mirror of a Mirror (2019)
A Mirror of a Mirror (2019)

oil paint applied with stamp letters and graphite grid on a chine collé monoprint

20 x 28 in.

[DETAIL] A Mirror of a Mirror (2019)
[DETAIL] A Mirror of a Mirror (2019)

To Make a Reality, 2020

To Make a Reality, 2020


Oil paint applied with rubber stamp letters on color ground on paper


32 x 24 1/2 inches framed


Incalculable Horizon, Color Study, 2019

Incalculable Horizon, Color Study, 2019


Oil stick applied with stamp letters and oil-based ink with chine-colle on paper


28 x 20 inches

The Liminal Zone, Color Study, 2019

The Liminal Zone, Color Study, 2019


Oil stick applied with stamp letters and oil-based ink with chine colle on paper


20 x 28 inches)

A Nonlinear Dynamic, 2019

A Nonlinear Dynamic, 2019


Oil paint applied with rubber stamp letters, monoprint with chine colle on paper

28 x 20 inches


A Sensitive System (2019)
A Sensitive System (2019)

Oil paint applied with rubber stamp letters, monoprint with chine colle on paper

20 x 28 inches

Blur in the Interest of Precision (2018)
Blur in the Interest of Precision (2018)

oil paint applied with stamp letters and graphite grid on embossed Mohachi paper

26 x 42 in. (top panel), 28 x 42 in. (bottom panel)

54 x 42 in. overall

A Shape of Mystery (2019)
A Shape of Mystery (2019)

oil paint applied with stamp letters, charcoal and graphite grid on embossed Mohachi paper

42 x 26 in.

Night Vision (2018)
Night Vision (2018)

oil paint applied with stamp letters, charcoal and graphite grid on embossed Mohachi paper

42 x 26 in.

Parallel Conditions, 2018
Parallel Conditions, 2018

oil paint applied with stamp letters and graphite grid on embossed Mohachi paper

44 x 28 in. each panel

44 x 56 in. overall

The Poetics of a Pivot (2018)
The Poetics of a Pivot (2018)

oil paint applied with stamp letters and graphite grid on embossed Mohachi paper

28 x 44 in. each panel

56 x 44 in. overall

All Water has  Perfect Memory...(2019)
All Water has Perfect Memory...(2019)

oil paint applied with stamp letters and graphite grid on embossed Mohachi paper

29 x 45 in. each panel

58 x 45 in. overall

Breath as a Boundary (2018)
Breath as a Boundary (2018)

oil paint applied with stamp letters and graphite grid on embossed Mohachi paper

28 x 44 in. each panel

56 x 44 in. overall

Infinite Halves (2019)
Infinite Halves (2019)

oil paint applied with stamp letters and graphite grid on embossed Mohachi paper

28 x 44 in. each panel

56 x 44 in. overall

All Water has a Perfect Memory... (2018)
All Water has a Perfect Memory... (2018)

Hand-written text of graphite on paper with charcoal, sumi ink and oil-based ink.

28 x 20 in.

Otelia Cromwell for Yale (2017)
Otelia Cromwell for Yale (2017)

hand-written text of graphite, woodblock embossment, silk on kozo paper

40 x 30 in.

both
both

oil stick applied with rubber stamp letters on gampi paper mounted to silk

42 x 27 ½ in.

 

Sol Lewitt Sentences on Conceptual Art 2/35
Sol Lewitt Sentences on Conceptual Art 2/35

oil stick applied with rubber stamps on paper on silk-lined gampi paper

20 x 26 in.

Language Games (2014)
Language Games (2014)

hand-written text of grease pencil on paper

Multi-panel diptych: 12 x 9 in. each sheet

75 x 96 in. overall

Namesake (2014)
Namesake (2014)

incense ink applied with rubber stamp letters on silk-lined rice paper

39 x 36 in.

Sol Lewitt Sentences on Conceptual Art 1/35 and 2/35
Sol Lewitt Sentences on Conceptual Art 1/35 and 2/35

oil stick applied with rubber stamps on paper on silk-lined gampi paper

20 x 26 in. each

Study for Latitudes (2012-2016)
Study for Latitudes (2012-2016)

hand-written text of grease pencil on paper

9 x 12 ft (fully installed)

Study for Latitudes (2012-2016)
Study for Latitudes (2012-2016)

installation view at Papillion (Los Angeles)

[VIDEO] Study for Latitudes
erin, from Infinity Series (2016)
erin, from Infinity Series (2016)

hand-written text of graphite on paper

38 x 26 in.

erin, from Infinity Series [detail]
erin, from Infinity Series [detail]
nk, from Infinity Series (2016)
nk, from Infinity Series (2016)

hand-written text of graphite on paper

38 x 26 in.

k, from Infinity Series (2016)
k, from Infinity Series (2016)

hand-written text of graphite on paper

38 x 26 in.

k, from Infinity Series [detail]
k, from Infinity Series [detail]
azla, from Infinity Series (2016)
azla, from Infinity Series (2016)

hand-written text of graphite on paper

38 x 26 in.

nes, from Infinity Series (2016)
nes, from Infinity Series (2016)

handwritten text of graphite on paper

30 x 26 in.

nes, from Infinity Series [detail]
nes, from Infinity Series [detail]
Meditation II (2014)
Meditation II (2014)

hand-written text of graphite on paper

42 x 38 in.

Meditation I (2014)
Meditation I (2014)

hand-written text of graphite on paper

42 x 38 in.

Meditation IV (2014)
Meditation IV (2014)

hand-written text of graphite on paper

42 x 38 in.

Meditation VII (2014)
Meditation VII (2014)

hand-written text of graphite on paper

42 x 38 in.

Meditation III (2014)
Meditation III (2014)

hand-written text of graphite on paper

42 x 38 in.

Meditation VIII (2014)
Meditation VIII (2014)

hand-written text of graphite on paper

42 x 38 in.

Meditation VI (2014)
Meditation VI (2014)

hand-written text of graphite on paper

42 x 38 in.

Meditation V (2014)
Meditation V (2014)

hand-written text of graphite on paper

42 x 38 in.

123DF546-3DA6-4B33-958E-5CCF447D6EB6.jpeg
[VIDEO] Four Women (2014)
Sonder (2013)
Sonder (2013)

Drawing installation: Oil paint applied with rubber stamp letters on suspended translucent cloth panels. Front panel is stamped text, middle panel is binary code, third panel is QR code.

120 x 178 x 144 overal

[VIDEO] sonder
Terminated with Extreme Prejudice (from Euphemisms series) 2011
Terminated with Extreme Prejudice (from Euphemisms series) 2011

graphite text on wall-mounted muslin; documentation of activation covering wall drawing with sumi ink.

10 x 13 ft.

speaks for itself.jpg
[VIDEO] Euphemisms: "Terminated with Extreme Prejudice"
Limen I
Limen I

Hand-imprinted with rubber stamp letters and graphite on embossed paper

38 x 38 inches

96.5 x 96.5 cm

(MBLA KD071)

Blur I, State II, 2018

Blur I, State II, 2018


2 color etching with chine colle
 on paper

Paper size: 14 x 22.5 inches


Blur I, State I, 2018

Blur I, State I, 2018


1 color etching


Paper size: 14.75 x 22 inches


Blur II, State I, 2019

Blur II, State I, 2019


1 color etching


paper size: 22 x 14.75 inches


 planar vessel XXX (marcella), 2024. shifu weaving (cotton warp, paper thread weft), carbon pencil rubbing and debossed text on igarashi kozo paper in walnut frame. 21” x 42”
  volume III (marjani + marcella),  2024. Carbon pencil rubbing and debossed text on igarashi kozo paper with ebony and brass vessels in walnut frame. 46 x 61 x 4"
  clouds IV,  2024. Indigo rubbing and debossed text on igarashi kozo paper in maple frame. 21 x 21in.
  volume II (marjani),  2024. Carbon pencil rubbing and debossed text on igarashi kozo paper with a walnut vessel in a walnut frame. 31 x 38 in.
  clouds VIII,  2024. Indigo rubbing and debossed text on igarashi kozo paper in maple frame. 21 x 21in.
 planar vessel XXVII (jada), 2024. Carbon pencil rubbing and debossed text on igarashi kozo paper in a walnut frame. 61 x 61"
 volume I (k), 2024. carbon pencil rubbing and debossed text on igarashi kozo paper. 2 panels with ash vessel in walnut frame, 61 x 38"
 planar vessel XXIX (marcella), 2024. carbon rubbing and debossed text on igarashi kozo. 5 panels, each 39 x 29".
 clouds IV, 2024. indigo and debossed text on igarashi kozo. 20 x 20"
 shadows + contingency I (2023). hand-debossed text and carbon pencil rubbing on cotton paper. 20 x 20"
planar vessel xx, xxi, xxii (rhea)
planar vessel XIX (tablet)
planar vessel XV (tablet)
planar vessel XIII
AVA
Refusing What Has Been Refused
A State of Balance Between Continuing Processes
planar vessel XI
planar vessel XII
 planar vessel II, 2021. fugitive ink photogram, hand debossed text, carbon pencil rubbing on igarashi kozo paper in walnut frame. 60 × 197”.
 planar vessel I, 2021. fugitive ink photogram, hand-debossed text, carbon pencil rubbing on Igrarashi kozo paper in walnut frame. 5 panels, each 59 ×39” overall 60 × 197.”
 Contending with Contingency IX, 2021. Carbon pencil rubbing on debossed cotton paper, mounted. 9 panels each 34 × 26”, overall 131 × 80”.
The Bodily Effect of Color (Sam), 2021
 planar vessel VI, 2021. Shifu weaving (cotton warp, paper thread weft), fugitive ink photogram, hand-debossed text, carbon pencil rubbing on Igarashi kozo in walnut frame. 40 × 39”.
image.jpg
Excerpt of Contingency - The Vote, 2021
Excerpt of Contingency-13th, 2021
Tenor Drift I, II, III, 2020
Fall and Recover (Dunham), a-e, 2021
Fall and Recover (Dunham), f-j, 2021
The Bodily Effect of a Color (k), 2020
Contending with Contingency II, 2021
Contending with Contingency VIII, 2021
Contending with Contingency VI, 2021
Contending with Contingency V, 2021
Contending with Contingency VII, 2021
Contending with Contingency IV, 2021
Contending with Contingency III, 2021
To Make a Reality, 2020
Contending with Contingency I, 2021
A Questioned Only Answered With Another Question, 2019
Limen II
[DETAIL] Limen II (2020)
Tenor Drift Pt. I, II, III (2020)
[DETAIL] Tenor Drift. I, II, III (2020)
Study for Entanglements (2016-2019)
[VIDEO STILL] Load (2017)
Everything That Cannot Be Known (2019)
A Word to Remind You of the Future, 2019

A Symphony of Truths (2019)
The Bodily Effect of a Color (Amber) 2020
Knowledge in the Form of a Pause, 2019

An Answer that Holds the Wind, 2019

A Question Only Answered With Another Question, 2019

[DETAIL] A Question Only Answered With Another Question, 2019

All Space Between Ground and Sky, 2019

[DETAIL] All Space Between Ground and Sky, 2019

A Sharp Whisper (2019)
In Praise of Shadows (2019)
The Bodily Effect of a Color (Kay) (2019)
The Bodily Effect of a Color (Benie).(2019)
The Bodily Effect of a Color (Babz) (2019)
The Presence of a Long Past, 2019

Accumulation of a Long Past, 2019

Time and Place Have Had Their Say, 2019

Black As the Most Exquisite Color, 2019

Breaking the Air, 2019

A Flexible Form, 2019

A Surreal Presence for Every Possible State (2018)
Shadow as the Architecture of the Visual Field (2018)
All Water Has Perfect Memory, 2018

Precise Approximation, 2019

A Mirror of a Mirror (2019)
[DETAIL] A Mirror of a Mirror (2019)
To Make a Reality, 2020

Incalculable Horizon, Color Study, 2019

The Liminal Zone, Color Study, 2019

A Nonlinear Dynamic, 2019

A Sensitive System (2019)
Blur in the Interest of Precision (2018)
A Shape of Mystery (2019)
Night Vision (2018)
Parallel Conditions, 2018
The Poetics of a Pivot (2018)
All Water has  Perfect Memory...(2019)
Breath as a Boundary (2018)
Infinite Halves (2019)
All Water has a Perfect Memory... (2018)
Otelia Cromwell for Yale (2017)
both
Sol Lewitt Sentences on Conceptual Art 2/35
Language Games (2014)
Namesake (2014)
Sol Lewitt Sentences on Conceptual Art 1/35 and 2/35
Study for Latitudes (2012-2016)
Study for Latitudes (2012-2016)
[VIDEO] Study for Latitudes
erin, from Infinity Series (2016)
erin, from Infinity Series [detail]
nk, from Infinity Series (2016)
k, from Infinity Series (2016)
k, from Infinity Series [detail]
azla, from Infinity Series (2016)
nes, from Infinity Series (2016)
nes, from Infinity Series [detail]
Meditation II (2014)
Meditation I (2014)
Meditation IV (2014)
Meditation VII (2014)
Meditation III (2014)
Meditation VIII (2014)
Meditation VI (2014)
Meditation V (2014)
123DF546-3DA6-4B33-958E-5CCF447D6EB6.jpeg
[VIDEO] Four Women (2014)
Sonder (2013)
[VIDEO] sonder
Terminated with Extreme Prejudice (from Euphemisms series) 2011
speaks for itself.jpg
[VIDEO] Euphemisms: "Terminated with Extreme Prejudice"
Limen I
Blur I, State II, 2018

Blur I, State I, 2018

Blur II, State I, 2019


planar vessel XXX (marcella), 2024. shifu weaving (cotton warp, paper thread weft), carbon pencil rubbing and debossed text on igarashi kozo paper in walnut frame. 21” x 42”

volume III (marjani + marcella), 2024. Carbon pencil rubbing and debossed text on igarashi kozo paper with ebony and brass vessels in walnut frame. 46 x 61 x 4"

clouds IV, 2024. Indigo rubbing and debossed text on igarashi kozo paper in maple frame. 21 x 21in.

volume II (marjani), 2024. Carbon pencil rubbing and debossed text on igarashi kozo paper with a walnut vessel in a walnut frame. 31 x 38 in.

clouds VIII, 2024. Indigo rubbing and debossed text on igarashi kozo paper in maple frame. 21 x 21in.

planar vessel XXVII (jada), 2024. Carbon pencil rubbing and debossed text on igarashi kozo paper in a walnut frame. 61 x 61"

volume I (k), 2024. carbon pencil rubbing and debossed text on igarashi kozo paper. 2 panels with ash vessel in walnut frame, 61 x 38"

planar vessel XXIX (marcella), 2024. carbon rubbing and debossed text on igarashi kozo. 5 panels, each 39 x 29".

clouds IV, 2024. indigo and debossed text on igarashi kozo. 20 x 20"

shadows + contingency I (2023). hand-debossed text and carbon pencil rubbing on cotton paper. 20 x 20"

planar vessel xx, xxi, xxii (rhea)
planar vessel XIX (tablet)
planar vessel XV (tablet)
planar vessel XIII
AVA

2022

Oil paint applied with rubber stamp letters, fugitive ink photogram, debossed grid on kozo paper in artist frame.

Refusing What Has Been Refused

2022

Oil paint applied with rubber stamp letters, fugitive ink photogram, debossed grid on kozo paper and shifu weaving in artist frame

A State of Balance Between Continuing Processes

2022

Oil paint applied with rubber stamp letters, Fugitive ink photogram and debossed grid on Igarashi kozo paper in artist frame

planar vessel XI

2022

Fugitive ink photogram, debossed text, carbon pencil rubbing on Igarashi kozo paper, shifu weaving in artist frame

planar vessel XII

Fugitive ink photogram, debossed text, carbon pencil rubbing on Igarashi kozo paper, shifu weaving in artist frame

planar vessel II, 2021. fugitive ink photogram, hand debossed text, carbon pencil rubbing on igarashi kozo paper in walnut frame. 60 × 197”.

planar vessel I, 2021. fugitive ink photogram, hand-debossed text, carbon pencil rubbing on Igrarashi kozo paper in walnut frame. 5 panels, each 59 ×39” overall 60 × 197.”

Contending with Contingency IX, 2021. Carbon pencil rubbing on debossed cotton paper, mounted. 9 panels each 34 × 26”, overall 131 × 80”.

The Bodily Effect of Color (Sam), 2021

Oil paint applied to rubber stamp letters, with color pencil ground and debossed grid on igarashi kozo paper

39 x 29 in

99.1 x 73.7 cm

(MBLA KD164)

planar vessel VI, 2021. Shifu weaving (cotton warp, paper thread weft), fugitive ink photogram, hand-debossed text, carbon pencil rubbing on Igarashi kozo in walnut frame. 40 × 39”.

Excerpt of Contingency - The Vote, 2021

Carbon pencil rubbing on debossed paper, frames

20 x 20 in

50.8 x 50.8

(MBLA KD161)

Excerpt of Contingency-13th, 2021

Carbon pencil rubbing on debossed paper, mounted

12 x 12 in

30.5 x 30.5 cm

(MBLA KD154)

Tenor Drift I, II, III, 2020

Hand-printed text with pencil rubbing on kozo paper

216 x 80 inches

548.64 x 203.2 cm

150 panels

(MBLA KF074)

Fall and Recover (Dunham), a-e, 2021

Carbon pencil rubbing on debossed paper

80 x 60 in

203.2 x 152.4 cm

(MBLA KD153)

Fall and Recover (Dunham), f-j, 2021

Carbon pencil rubbing on debossed paper, mounted

80 x 60 in

203.2 x 152.5 cm

(MBLA KD144)

The Bodily Effect of a Color (k), 2020

Oil paint applied with rubber stamp letters and watercolor pencil on Igarashi kozo paper

43 3/4 x 28 in

111.1 x 71.1 cm

(MBLA KD084)

Contending with Contingency II, 2021

Carbon pencil rubbing on debossed paper, mounted

88 x 135 in

223.5 x 342.9 cm

(MBLA KD143)

Contending with Contingency VIII, 2021

Carbon Pencil rubbing on debossed paper, mounted

Each panel: 44 x 27 in / 111.8 x 66.6 cm

Overall: 88 x 135 in / 205.7 cm x 335.3 cm

(MBLA KD142)

Contending with Contingency VI, 2021

Carbon pencil rubbing on debossed paper, mounted

88 x 135 in

223.5 x 343 cm

(MBLA KD140)

Contending with Contingency V, 2021

Carbon pencil rubbing on debossed paper, mounted

88 x 135 in

223.5 x 343 cm

(MBLA KD139)

Contending with Contingency VII, 2021

Carbon pencil rubbing on debossed paper, mounted

88 x 135 in

223.5 x 343 cm

(MBLA KD141)

Contending with Contingency IV, 2021

Carbon pencil rubbing on debossed paper, mounted

88 x 135 in

223.5 x 342.9 cm

(MBLA KD138)

Contending with Contingency III, 2021

Carbon pencil rubbing on debossed paper, mounted

88 x 135 in

223.5 x 343 cm

(MBLA KD137)

To Make a Reality, 2020

Oil paint applied with rubber stamp letters on color ground with chine-colle on paper

32 x 24 1/2 inches framed

81.3 x 62.2 cm framed

(MBLA KD082)

Contending with Contingency I, 2021

Carbon pencil rubbing on debossed paper, mounted

81 x 132 in

205.7 x 335.3 cm

(MBLA KD136)

A Questioned Only Answered With Another Question, 2019

Oil paint applied with rubber stamp letters on embossed and deobossed Igarashi kozo paper

Diptych, 39 x 29 inches each

39 x 58 inches overall

99.06 x 147.32 cm overall

(MBLA KD073)

Limen II

Hand-imprinted text, pencil rubbing on kozo paper; handmade shifu (paper weaving) drawing, in artist frame

38 x 38 inches 


[DETAIL] Limen II (2020)

Tenor Drift Pt. I, II, III (2020)

Drawing/unique artist book: Hand-inscribed text with pencil rubbing on sheets of kozo paper 


112 panels: 11 x 10 inches each

140 x 80 inches overall


[DETAIL] Tenor Drift. I, II, III (2020)

Study for Entanglements (2016-2019)

Hand-written text of ink and grease pencil, with aerosol painted shadow on DMH11 kozo paper; accompanied with a video edition

10 x 10 in. each panel

100 x 200 in. Overall

[VIDEO STILL] Load (2017)

Video

Edition of 3

Duration: 1 min

Everything That Cannot Be Known (2019)

Oil paint applied with rubber stamp letters, metal grommets, and glass beads on debossed Igarashi kozo paper

40 x 60 in.

A Word to Remind You of the Future, 2019


Oil paint applied with rubber stamp letters on embossed and debossed igarashi kozo paper


Diptych: approx. 30 x 40 inches each panel


60 x 40 inches overall


A Symphony of Truths (2019)

Oil paint applied with rubber stamp letters on embossed and debossed Igarashi kozo paper

30 x 40 in. Each panel

60 x 80 in. Overall

The Bodily Effect of a Color (Amber) 2020

Oil paint applied with rubber stamp letters and watercolor pencil on debossed Igarashi kozo paper


45 x 28 3/4 in. framed


Knowledge in the Form of a Pause, 2019


Oil paint applied with rubber stamp letters and graphite grid on embossed Igarashi kozo paper


60 x 40 inches


An Answer that Holds the Wind, 2019


Oil paint applied with rubber stamp letters on embossed and debossed igarashi kozo paper


Diptych: 37 x 24 inches each panel


37 x 48 inches overall


A Question Only Answered With Another Question, 2019


Oil paint applied with rubber stamp letters on embossed and debossed Igarashi kozo paper


Diptych, 39 x 29 inches each


39 x 58 inches overall


[DETAIL] A Question Only Answered With Another Question, 2019


All Space Between Ground and Sky, 2019


Oil paint applied with rubber stamp letters on embossed and debossed Igarashi kozo paper


 Triptych: 29.75 x 38.25 inches each panel


90 x 40 inches overall


[DETAIL] All Space Between Ground and Sky, 2019

A Sharp Whisper (2019)

Oil paint applied with rubber stamp letters with color monoprint and chine-colle on paper

29 x 21 in.

In Praise of Shadows (2019)

Oil paint applied with rubber stamp letters on color ground with chine-colle on 300g Fabriano paper

29 x 20 inches

The Bodily Effect of a Color (Kay) (2019)

Oil paint applied with rubber stamp letters with color monoprint on embossed and debossed Igarashi kozo paper

40 x 30 in.

The Bodily Effect of a Color (Benie).(2019)

Oil paint applied with rubber stamp letters and color monoprint on embossed and debossed Igarashi kozo paper

40 x 30 in.

The Bodily Effect of a Color (Babz) (2019)

Oil paint applied with rubber stamp letters and color monoprint on embossed and debossed Igarashi kozo paper

40 x 30 inches

The Presence of a Long Past, 2019


Oil stick applied with stamp letters, embossment and graphite grid on kozo paper


Diptych, 29.69 x 38.5 inches each panel 


59.38 x 38.5 inches overall


Accumulation of a Long Past, 2019


Oil paint applied with rubber stamp letters and graphite grid on embossed paper


58 x 38 inches


Time and Place Have Had Their Say, 2019


Oil paint applied with rubber stamp letters and debossed grid on Igarashi kozo paper


30 x 40 inches


Black As the Most Exquisite Color, 2019


Oil applied with rubber stamp letters on embossed and debossed Igarashi kozo paper


Diptych, 39 x 29 inches each


39 x 58 inches overall


Breaking the Air, 2019


Oil paint applied with rubber stamp letters and graphite grid on embossed DMH-11 kozo paper
 26 x 38 inches, each panel


52 x 38 inches, overall


A Flexible Form, 2019


Oil paint applied with rubber stamp letters and graphite grid on embossed DMH-11 kozo paper

Diptych, 26 x 39 inches each panel 


52 x 39 inches overall


A Surreal Presence for Every Possible State (2018)

oil paint applied with stamp letters and graphite grid on embossed Mohachi paper

45 x 29 in. each panel

90 x 58 in. overall

Shadow as the Architecture of the Visual Field (2018)

oil paint applied with stamp letters and graphite grid on embossed Mohachi paper

29 x 45 in. each panel

60 x 90 in. overall

All Water Has Perfect Memory, 2018


Handwritten text of graphite on paper, with charcoal and oil-based ink
 28 x 20 inches


Precise Approximation, 2019


Oil paint applied with rubber stamp letters and graphite grid on embossed paper


38 x 28 inches


A Mirror of a Mirror (2019)

oil paint applied with stamp letters and graphite grid on a chine collé monoprint

20 x 28 in.

[DETAIL] A Mirror of a Mirror (2019)

To Make a Reality, 2020


Oil paint applied with rubber stamp letters on color ground on paper


32 x 24 1/2 inches framed


Incalculable Horizon, Color Study, 2019


Oil stick applied with stamp letters and oil-based ink with chine-colle on paper


28 x 20 inches

The Liminal Zone, Color Study, 2019


Oil stick applied with stamp letters and oil-based ink with chine colle on paper


20 x 28 inches)

A Nonlinear Dynamic, 2019


Oil paint applied with rubber stamp letters, monoprint with chine colle on paper

28 x 20 inches


A Sensitive System (2019)

Oil paint applied with rubber stamp letters, monoprint with chine colle on paper

20 x 28 inches

Blur in the Interest of Precision (2018)

oil paint applied with stamp letters and graphite grid on embossed Mohachi paper

26 x 42 in. (top panel), 28 x 42 in. (bottom panel)

54 x 42 in. overall

A Shape of Mystery (2019)

oil paint applied with stamp letters, charcoal and graphite grid on embossed Mohachi paper

42 x 26 in.

Night Vision (2018)

oil paint applied with stamp letters, charcoal and graphite grid on embossed Mohachi paper

42 x 26 in.

Parallel Conditions, 2018

oil paint applied with stamp letters and graphite grid on embossed Mohachi paper

44 x 28 in. each panel

44 x 56 in. overall

The Poetics of a Pivot (2018)

oil paint applied with stamp letters and graphite grid on embossed Mohachi paper

28 x 44 in. each panel

56 x 44 in. overall

All Water has Perfect Memory...(2019)

oil paint applied with stamp letters and graphite grid on embossed Mohachi paper

29 x 45 in. each panel

58 x 45 in. overall

Breath as a Boundary (2018)

oil paint applied with stamp letters and graphite grid on embossed Mohachi paper

28 x 44 in. each panel

56 x 44 in. overall

Infinite Halves (2019)

oil paint applied with stamp letters and graphite grid on embossed Mohachi paper

28 x 44 in. each panel

56 x 44 in. overall

All Water has a Perfect Memory... (2018)

Hand-written text of graphite on paper with charcoal, sumi ink and oil-based ink.

28 x 20 in.

Otelia Cromwell for Yale (2017)

hand-written text of graphite, woodblock embossment, silk on kozo paper

40 x 30 in.

both

oil stick applied with rubber stamp letters on gampi paper mounted to silk

42 x 27 ½ in.

 

Sol Lewitt Sentences on Conceptual Art 2/35

oil stick applied with rubber stamps on paper on silk-lined gampi paper

20 x 26 in.

Language Games (2014)

hand-written text of grease pencil on paper

Multi-panel diptych: 12 x 9 in. each sheet

75 x 96 in. overall

Namesake (2014)

incense ink applied with rubber stamp letters on silk-lined rice paper

39 x 36 in.

Sol Lewitt Sentences on Conceptual Art 1/35 and 2/35

oil stick applied with rubber stamps on paper on silk-lined gampi paper

20 x 26 in. each

Study for Latitudes (2012-2016)

hand-written text of grease pencil on paper

9 x 12 ft (fully installed)

Study for Latitudes (2012-2016)

installation view at Papillion (Los Angeles)

[VIDEO] Study for Latitudes
erin, from Infinity Series (2016)

hand-written text of graphite on paper

38 x 26 in.

erin, from Infinity Series [detail]
nk, from Infinity Series (2016)

hand-written text of graphite on paper

38 x 26 in.

k, from Infinity Series (2016)

hand-written text of graphite on paper

38 x 26 in.

k, from Infinity Series [detail]
azla, from Infinity Series (2016)

hand-written text of graphite on paper

38 x 26 in.

nes, from Infinity Series (2016)

handwritten text of graphite on paper

30 x 26 in.

nes, from Infinity Series [detail]
Meditation II (2014)

hand-written text of graphite on paper

42 x 38 in.

Meditation I (2014)

hand-written text of graphite on paper

42 x 38 in.

Meditation IV (2014)

hand-written text of graphite on paper

42 x 38 in.

Meditation VII (2014)

hand-written text of graphite on paper

42 x 38 in.

Meditation III (2014)

hand-written text of graphite on paper

42 x 38 in.

Meditation VIII (2014)

hand-written text of graphite on paper

42 x 38 in.

Meditation VI (2014)

hand-written text of graphite on paper

42 x 38 in.

Meditation V (2014)

hand-written text of graphite on paper

42 x 38 in.

[VIDEO] Four Women (2014)
Sonder (2013)

Drawing installation: Oil paint applied with rubber stamp letters on suspended translucent cloth panels. Front panel is stamped text, middle panel is binary code, third panel is QR code.

120 x 178 x 144 overal

[VIDEO] sonder
Terminated with Extreme Prejudice (from Euphemisms series) 2011

graphite text on wall-mounted muslin; documentation of activation covering wall drawing with sumi ink.

10 x 13 ft.

[VIDEO] Euphemisms: "Terminated with Extreme Prejudice"
Limen I

Hand-imprinted with rubber stamp letters and graphite on embossed paper

38 x 38 inches

96.5 x 96.5 cm

(MBLA KD071)

Blur I, State II, 2018


2 color etching with chine colle
 on paper

Paper size: 14 x 22.5 inches


Blur I, State I, 2018


1 color etching


Paper size: 14.75 x 22 inches


Blur II, State I, 2019


1 color etching


paper size: 22 x 14.75 inches


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